„The starting point of my master project I DON’T EVEN KNOW YOUR NAME was a reoccurring observation of a person during a bus ride that left me obsessed with the memory of her sight. To counter the double-bind that ties observation, figuration and representation to the hierarchical power structures embedded in the shared realities of our lives, I aimed to focus on an inward debate on my obsession instead of trying to define another through clothing and appearance. The process centres on the possibilities of writing and creating through or by, rather than about a first starting point to generate a purely subjective source of inspiration.”
Read the full Article here: KALTBLUT MAGAZINE
