Archiv der Kategorie: Kunst und Design

MAHLZEIT – Philipp Firmbach

A snack bar bockwurst ‚ a filling meal for craftspeople who often rely on quick and affordable food, especially in a workday shaped by time pressure and physical strain. Pragmatic necessity or contemptible routine? A sausage made of porcelain,  Standing table, paper plate, mustard. Who judges whom?

This project explores the societal perception of simple foods through the example of the „gas station bockwurst.“Often dismissed as low-quality or unhealthy, for many‚ especially craftspeople‚ it serves as a quick and practical meal. The tension between social stigma and everyday necessity forms the foundation of this work.

The sausages were meticulously cast from real bockwursts and then reproduced in porcelain. Porcelain was deliberately chosen as a material due to its dual association with exclusivity and fragility on one hand, and industrial mass production on the other. By combining a humble snack bar item with a traditionally valuable material, the project creates an intriguing contrast that challenges perceptions of worth and value.

During the production phase, multiple casting molds were created to enable a high-volume series. The sausages were then glazed and fired to achieve their final form. Alongside this practical process, a theoretical examination of the historical connection between fast food and the working class was undertaken, drawing on literary and artistic references for inspiration.

The final installation references the aesthetics of a classic snack bar setting: the porcelain sausages are displayed on paper plates, accompanied by transport crates labeled „WURST“ in stencil lettering. This deliberate juxtaposition of everyday life and art object invites reflection on food culture, social hierarchies, and the perceived value of materials.

 

SCROLL TOLL – Angela Klein

Scroll Toll

scroll toll addresses shame and awareness in relation to digital consumption by visualizing and analyzing personal data. The project transforms screen time into a tangible experience, allowing users to confront their habits in a direct and quantifiable way.

At the core of scroll toll is an interactive kiosk that resembles a self-order system, a familiar interface often associated with efficiency, tracking, and automation. Users input their average daily screen time, and the system generates a receipt that translates this data into different time units—days, weeks, months, and years. To provide context, the receipt also compares the entered value to the average screen time of 18- to 25-year-olds. This comparison invites reflection on how individual digital habits align with broader trends and whether this knowledge evokes a sense of normalcy, guilt, or even relief.

The installation operates at the intersection of personal accountability and systemic critique. While it presents individual screen time as a dataset for reflection, it also raises questions about how digital engagement is designed, encouraged, and monetized. The act of printing a receipt—a mundane, commercial gesture—draws a parallel between digital consumption and physical transactions, highlighting the ways in which personal attention is measured and commodified. Unlike wellness apps that keep such insights within the digital realm, scroll toll externalizes this data, making it physically present and difficult to ignore.

Shame plays a central role in the experience of scroll toll. The project does not dictate what

constitutes “excessive” screen use but instead asks users to interpret the data for themselves. For some, the visualization may provoke feelings of discomfort or self-judgment, while others may experience reassurance in seeing their behavior contextualized. This tension between individual reflection and societal norms makes scroll toll more than just an awareness tool—it becomes a mirror of our relationship with technology, self-control, and external expectations.

The installation itself is constructed with wood, integrating a Raspberry Pi 4, a 5-inch screen,

and a thermal printer within a compact 40×24 cm frame. The choice of materials reflects a balance between digital and physical elements, reinforcing the contrast between immaterial screentime and its material representation. The thermal printer, typically used for transaction receipts, further emphasizes the theme of quantification and the transactional nature of attention in the digital age.

Ultimately, scroll toll is both a self-exploration tool and a societal critique. It invites users to pause and consider the impact of their digital habits, not through abstract statistics but through an immediate and personal interaction. By making screen time visible and measurable, the project sparks conversations about digital dependency, the pressures of constant connectivity, and the emotional weight of our interactions with technology

K+D RealTalks 21.11. / 14h / R003

EINLADUNG ZUM VORTRAG von MARA RECKLIES
Strategien zur Dekolonisierung von Design

DONNERSTAG >> 21.11. >> 14h >> R 003
STRAßE DES 17.JUNI 118

LECTURE & WORKSHOP mit BIEST Berlin 1.12. / 9h / r002

 

 

Einladung zur Lecture und Workshop mit BIEST Berlin

FREITAG >> 1.12. >> 9-16h
>> Raum 002/003
STRAßE DES 17.JUNI 118

 

 

 

 

An Art and Design Love Affair | Ausstellung Kunst + Design

Ausstellung bei Kunst + Design
Straße des 17. Juni 118 (EG Raum 002/003)

Freitag, den 29.10.21, 15 bis 22 h
Samstag, den 30.10.21, 10 bis 22 h

Die Ausstellung zeigt: Freie Projekte, Projekte der Welterforschung, Herkunft und Sein in Diversität,
das persönliche Portfolio als Brücke zwischen Studium und Kariere von Studierenden in Produkt- und Modedesign.

Betreut durch:
Prof. Jozef Legrand
KM Caroline Bittermann
LA Carsten Struck
LA Eva Wilde
LA Bruno Eritt
LA Sabine Wilms
HA Julia Heunemann
HA Berit Schuck

 

MYSELF IN CIRCLES

Titia Grefe

Betreut durch:
Prof. Jozef Legrand
KM Caroline Bittermann
LA Carsten Struck
LA Bruno Eritt
HA Julia Heunemann

Projekt: Dark Liquid
3. Semester

Birth of a Blackhole

Philip Welp

Betreut durch:
Prof. Jozef Legrand
KM Caroline Bittermann
LA Carsten Struck
LA Bruno Eritt
HA Julia Heunemann

Projekt: Dark Liquid
3. Semester

Learning Basket Weaving


click images to download the full pdf

A guide by Katharina Sauter

„This semester started while a pandemic was still spreading over the world. We are urged to limit our contacts and it was neither possible to go to university (most of the time) nor to visit the workshops. Basket weaving is what helped me to stay sane in these last few months. Like everyone else I spend a lot of time at home and decided that I want to learn a new craft I can practice without a lot of machines or tools.

In this guide you can see the whole process of how I learned basket weaving and the results of this semester. I included the websites as well as the YouTube channels that inspired me to learn this new craft.The baskets brought me a lot of joy and distracted me a little bit from what was going on outside.

I know a lot of people think „why should I sit there for hours and work on a basket when I can pay someone to do it faster (or have it made industrially) so I can spend my time doing something els?“ But I just love sitting there for hours and hours working on something with my hands, creating something while listening to music. I made a playlist with music I’ve been listening to while weaving.

It gives me SO much satisfaction to hold an object in my hands that I completely made myself. Also for me is doesn’t feel like a lot of time because during this process I am in a flow. I will only realize that I’ve been working on the basket for three hours because my back hurts or my hands are really dry. I can hardly think of anything else that is able to give me this feeling.

I made this interactive guide (there are links included!) for future Katharina in case she will forget what I learned in the last few months. I myself benefited a lot from the basket weaving folk who published their knowledge online so that is why I want to make my guide accessible for more people, too.

If one day were allowed to meet again I would love to start a club, where we can be crafty together and benefit from each others knowledge. Please contact me if you’re interested in participating!“

Betreut durch:
Prof. Jozef Legrand

Seminar: Meine Idee. Mein Projekt
5. Semester +

Eine ungewöhliche Freundschaft

Fatma Cankaya & Jakob Deutschmann

Betreut durch:
Prof. Jozef Legrand
KM Caroline Bittermann
LA Carsten Struck
LA Eva Wilde
HA Julia Heunemann

Projekt: Das Ungeheuer das aus der Tiefe kam
1. Semester

Symbiose | Luca Ortmann & Elea Jenner

Luca Ortmann & Elea Jenner

Betreut durch:
Prof. Jozef Legrand
KM Caroline Bittermann
LA Carsten Struck
LA Eva Wilde
HA Julia Heunemann

Projekt: Das Ungeheuer das aus der Tiefe kam
WISE 20/21, 1. Semester

Searching for Beauty – Multimedia Exhibition Opening: 06. Juni 2018, 19:00 @ designtransfer

Multimedia-Ausstellung

Searching for Beauty

Bedeutet Schönheit für jeden von uns etwas anderes? Oder denken wir alle ähnlich? Kann Schönheit hässlich sein? Hat sich unser Blick auf Schönheit verändert? Vielleicht muss jede Generation die Schönheit neu definieren; vielleicht besteht Schönheit nur kurz. Ströme von Bildern und Definitionen umgeben uns und scheinbar gibt es eine Antwort auf alles, aber es könnte auch anders sein.

Die Initiatoren des Multimedia-Projekts und der Ausstellung SEARCHING FOR BEAUTY – das Studio Ové Pictures – setzten Animations-Prinzipien um und kreierten interaktive Installationen um die Suche nach Schönheit in neuen Kontexten zu betrachten. Sie verwenden historische und optische Spielzeuge wie Zoetrop, Daumenkino und Diorama und wandeln sie in eine aktuelle interaktive Form um. Das Projekt entstand in Zusammenarbeit mit der Kuratorin Mária Rišková und weiteren Fachleuten. Eine Online-GIF-Galerie rund um das Thema Schönheit ist Teil des Projekts, zu der auch Besucher beitragen können.

Der Hauptorganisator des Projekts ist das Slowakische Designzentrum in Bratislava unter der Schirmherrschaft des Ministeriums für auswärtige und europäische Angelegenheiten und des Kulturministeriums der Slowakischen Republik in Zusammenarbeit mit dem Slowakischen Institut in Prag und Berlin sowie mit Botschaften in Ljubljana und Helsinki. Das Projekt wurde im Rahmen der sozialkulturellen Präsentation der ersten slowakischen Ratspräsidentschaft im Rat der Europäischen Union im Jahr 2016 initiiert. Die Ausstellungsreihe im Jahr 2018 markiert den 100. Jahrestag der Gründung der Tschechoslowakischen Republik und erinnert an das 25. Jubiläum des Bestehens der Slowakischen Republik.

Eröffnung: Mittwoch, 06. Juni 2018, 19:00

Ausstellung: 07. Juni – 26. Juni 2018, Mo-Fr 10:00-18:00 

designtransfer, UdK Berlin, Einsteinufer 43, 10587 Berlin

Mehr Information: www.searchingforbeauty.eu

Multimedia Exhibition

Searching for Beauty

Does beauty mean something different to each of us? Or do we feel in the same way? Can beauty be ugly? Has our view of beauty changed? Maybe every generation needs to redefine beauty; it might be just momentary. Streams of images and definitions surround us and seemingly, there is an answer to everything, but it might not be that way. We are curious about when we experience beauty, do we all feel it same or everybody in their way? 

The authors of the multimedia project and exhibition SEARCHING FOR BEAUTY, the Studio Ové Pictures applied animation principles and created interactive installations centred around the main motif of searching for beauty in new contexts. They use historical optical toys such as the zoetrope, flip book, and diorama and transform them into a more current interactive form. They created the project in cooperation with  curator Mária Rišková and a team of other professionals. An online GIF gallery centred around beauty is a part of the project, and its visitors contribute to it. 

The project main organiser is the Slovak Design Centre in Bratislava under the auspices of the Ministry of Foreign and European Affairs and the Ministry of Culture of the Slovak Republic in cooperation with the Slovak Institute in Prague and Berlin and with embassies in Ljubljana and Helsinki. The project was a part of a cultural-social presentation of the first Slovak Presidency to the Council of the European Union in 2016. The series of exhibitions in 2018 mark the 100th anniversary of the foundation of the Czechoslovak Republic and commemorates the 25th anniversary of the establishment of the Slovak Republic.

Opening: Wednesday, 06. June 2018, 19:00

Exhibition: 07. June – 26. June 2018, Mo-Fr 10:00-18:00

designtransfer, UdK Berlin, Einsteinufer 43, 10587 Berlin

More information: www.searchingforbeauty.eu